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WAI YI CHUNG

WORK
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We knew this day would come (2047)

2024

59.4×84.1cm

Pencil, charcoal and water-soluble graphite on paper

It started with a drawing outside Liverpool Street Station earlier this year that could become a large work. I didn't want it to be just a magnification, so I had to look for some inspiration. On the first page of a book about future thinking, I found an interesting picture by Priamo della Quercia. It says it is one of Dante's Infernos where soothsayers were punished with their heads turned backwards so they could only look at the past. So then I thought wow this is interesting, maybe I can just change the setting of the original urban sketching to a fictional scene in the future (2047) where a soothsayer (like Rehoboam in Westworld) is arrested under a new law but some people fancied looking at their future and the two sides protest at the arrest.

The station is changed to "Time HQ" because from what I know and I can see, the area around Liverpool Street is where the old meets the new, which reminds me of my hometown Hong Kong, especially in Central, a financial district like Bank, only a few Victorian buildings and monuments from colonial era survived the changes over time.

Dream about living in a cable car and going back to school but it was a labyrinth

Dream about living in a cable car and going back to school but it was a labyrinth

2024 (work in progress)

27.8×21.5cm

Etching, aquatint, dry point

15 Trial proofs of different stages,

T.P. 1-11,13,14/15 available, 🔴🔴T.P. 12/15, 15/15 sold

Selected for Green & Stone Summer Exhibition and the Wells Art Contemporary 2024

Peel Street

2024 (work in progress)

8.89×12.7cm

Etching, aquatint, dry point, Chine-collé

🔴Trial proof 1/5 (without Chine-collé) sold

Drawing a head exercises

2024

Various sizes

Pencil, charcoal, soft pastel, chalk, crayon

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Error12-Not Enough Memory

2023

50×60cm

Acrylic on canvas

2024 Spring Exhibition at the London Lighthouse Gallery and Studio

1-30 May 2024

To purchase, lease contact the London Lighthouse Gallery  (click here)

Also available on Artsy:

https://www.artsy.net/artwork/wai-yi-chung-error-12-not-enough-memory

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OBMIL (Reverse of LIMBO)

2024 (work in progress)

120×120cm

Acrylic on canvas

Reverse of LIMBO, depicting the dark side of reality in this mesmerising structure.

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Temple of Time

2023

3.5×3.8×2.4m

Acrylic, enamel, emulsion paint,
MDF board, timber, muslin, one-way mirror film.

Click here for video tour

(Part of my MA Fine Art graduation project)

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Lost Time

2023

15×20×5cm
Nylon 3D Print

(Part of my MA Fine Art graduation project)

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YOU

2023
Virtual sculpture on OVR (site-specific by buying virtual land on campus) or Instagram story filter

(Part of my MA Fine Art graduation project)

Not for sale

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Magic Pills

2023
Edible zines (not food, consume at your own risk)
5.7 × 5.7 cm
Plastic bags, paper, gelatine capsules, edible wafer paper, edible ink (E422 Glycerol, water)

(Part of my MA Fine Art graduation project)

LIMBO 120cmx125cm Acrylic on canvas

LIMBO

2023

125×120×3.5cm
Acrylic on canvas

Shown in the following group shows:

1. Resident at Studio 1.1, London, 2023

2. Kharites, "The Podium" London, 2023

3. The Graduate Art Show 2023 at Woolff Gallery, London 2023

(Click to enlarge)​

Prints available for £20 each (27.6×31cm 250gsm uncoated cartridge paper)

Limited edition of 10, signed on the back. 🔴🔴 8 left.

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Entangled Body #1-8

2023

Digital Photography

A body of work comprises 9 photos, which are self-expressive nudes with my "Entanglement" drawing placed on the body.

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Doctor: Sorry, we've tried everything but art doesn't lie...

2023

21.4×27.2×1.1cm
Ink and acrylic on board

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NASA's Tarantula

2022

30×24cm

Acrylic on canvas board

Not for sale

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City of the Future

2011

29.7×21cm

Pencil on paper and

Giclée prints

Giclée prints avaliable only. Original paper is yellowing.

Video Tour
Temple of Time (2023)

Temple of Time (2023)

video tou
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